With an authoritative Americana brio reminiscent of early Neko Case, Ruby Gilbert is the real deal, her depth of voice matched by a knack for composition and presentation. From its opening acoustic strum–minor-key and assertive–“No Vacancy” feels at once sturdy and adventurous, with its casually resourceful chord changes and, yes, that trumpet. About which more in a moment.
Gilbert begins a story of frustrated romance with an incisive opening couplet: “My baby’s only got eyes for me/But he’s got his sights set on leaving.” The underlying premise here seems to be that all romances, however brilliant at first, will come to an end; the song’s narrator seems oppressed by this hard-won knowledge (“I don’t get no rest,” she sings, “I hear it in my head, tick and tock”).
The ache of being left alone is mirrored in the song’s musical landscape, which aligns with that particularly appealing strain of Americana music that I hear as “lonesome.” I’m not sure precisely what may generally create this impression–something in the spaciousness of the mix, I’m guessing, and/or some well-placed slide guitar lines; reverbed vocals help–but “No Vacancy” ups the ante with artful flourishes from an echoey trumpet, courtesy of Eamon Dilworth. I wouldn’t have realized this in advance but damn if that trumpet doesn’t (somehow) sound like the epitome of “lonesome Western sound.”
Ruby Gilbert is a singer/songwriter from Brisbane with a handful of recordings to date and, I hope, a bright future ahead. “No Vacancy” was released in March. She has an earlier single, “Slave,” from this past October, and a four-song EP, entitled Dearly Beloved, that came out in June 2018. You can hear everything, and buy everything at a price of your choosing, via Bandcamp.