With its ambling backbeat and lonesome pedal steel guitar,”The Way It Is” has the spacious, laid-back authority of some ’70s piece of pre-Americana. Which we might as well just call country. At the same time, it manages an incisiveness that is almost unsettling; you just don’t expect a song with this kind of scruffy, dirty-booted ambiance to be focused enough to finish up under three minutes. Denver pulls off this magic trick by forsaking the instrumental break, and just sticking to the musical facts: melody, accompaniment, and weary, achy-hearted singing.
“The Way It Is” launches off an smooth, two-chord vamp, Neil Young-ish in character. As with the Hermit Crabs song above, the verse is a succinct two lines; in this case, however, it leads into a chorus that is fat with resolution, using a descending bass line to anchor a determined series of classic chords. The melody takes one solid step up and tumbles incrementally down a satisfying perfect fifth. The lyrics, meanwhile, blaze with unpretentious majesty, if I haven’t managed to coin a double or triple oxymoron: “There’s things in the world that I know nothing about,” laments the song’s narrator, without pity, “And that’s just the way it is.” You and me both, pal.
Denver is named more for feeling than geography; the six-man band is actually based in Portland, and features three guys from Alela Diane’s band Wild Divine, including Diane’s husband Tom Bevitori and two from Blitzen Trapper. (Diane and band were featured together here in March 2011.) Five others are said to “rotate” through the lineup. The band’s debut album was recorded and engineered at the home of a friend’s mother—“Drums in the living room, singer in the bedroom, four-track cassette recorder, cases of beer, whiskey, sandwiches and a sunny porch,” is how band co-founder Birger Olsen has described it. The self-titled album was released in mid-August on Portland-based Mama Bird Recording Co.