Strangely enough we have another song this month based on a triplet rhythm, in this case a deliberate acoustic ballad expressing an all too common yearning during the Great Lockdown, as we have long been daydreaming about the return of something resembling normalcy. The song came out back in April but seems, alas, ongoingly relevant.
And while earnest singer/songwriters with simple acoustic guitar licks often stray, in my opinion, into the maudlin and/or mundane (or both), there’s something affecting to me about the ambiance here; the sincerity is not over-delivered, and the music, enhanced with tasteful string arrangements, pushes forward with an air of enigmatic buoyancy despite the mournful tone. The tune is straightforward but well-built, while the lyrics hit that alluring middle ground between the literal and the figurative: while the listener clearly knows what he’s singing about, the pandemic is brought to the table only via mention of those things we might do again on the other side. This accomplishes two interrelated things: it makes the song about something larger than our current difficulties, and it nudges us towards a sense of hope through the struggle. And while the song lacks any obvious connection to the activism championed in her writings, there’s something here that reminds me of Rebecca Solnit’s view of hope: “Hope,” she says, “locates itself in the premises that we don’t know what will happen and that in the spaciousness of uncertainty is room to act.” I feel guided towards this spaciousness in Wilde’s reminder of the larger context of human existence; as he sings offhandedly near the end: “How lucky we are/To be orbiting this particular star/At this particular distance.”
Shadwick Wilde is a Kentucky-based singer/songwriter who is also founder in 2010 of the fluid musical collective Quiet Hollers, which has released three albums to date.
The subtly defiant “Old Time Feeling” launches with the crunch and sizzle of raw authority and doesn’t relent. The beat is seductive, the lyrics tantalizing, the melody sturdy, and singer/songwriter S.G. Goodman’s voice has a sawdust dignity at once fragile and powerful that compels you to close listening.
The song’s stomping vibe—Americana with a rough-hewn edge—underscores a rare, if wry, toughness of spirit. A native of Western Kentucky, Goodman here offers an across-the-bow challenge to the persistent, delusional self-image that has been sadly characteristic of the South. As she recently told Spin magazine, “I think for the longest time, Southern music has perpetuated some of the outdated/never-should-have-been-a-rallying-point-to-begin-with message.” Weird sentence editing aside, I love that “never-should-have-been-a-rallying-point-to-begin-with” part. And even if not overtly imbued with “Lost Cause” revisionism, there has long been that “good old boy” self-righteousness represented in Southern music that presents a rollicking, affirmative cover to a region long beset by deep-rooted troubles of all kinds—economic, political, social, you name it. Goodman’s eye-opening pivot in “Old Time Feeling” has three parts: first, the recognition of said troubles—she refers to the “sickness in the countryside,” and sings, “The southern state is a condition, it’s true”—and second, the declaration that there are people in this complex region who are working on change. Thus the repeated chorus “We’re not living in that old time feeling.” She then goes one important step further, taking to task those who complain about the traditional Southern way but leave rather than stay to help with the transformation:
Oh, and I hear people saying how they want a change
And then the most of them do something strange
They move where everybody feels the same
Goodman’s response to them?:
I’ve got a little proposition for you
Stick around and work your way through
Be the change you hope to find
“Old Time Feeling” is the lead single from Goodman’s debut album of the same name, produced by Jim James of My Morning Jacket and released in July on Verve Forecast. Goodman had previously fronted a band called The Savage Radley, which released an album entitled Kudzu in 2017.
photo credit: Meredith Truax