A crystalline, synth-driven call to inner action, “Take It If You Want It” stares down the existential mayhem of our 21st-century world and attempts to find a place and a way to live in it regardless. The song’s superpower is the glistening deftness of the presentation: the ’80s-inspired arrangement is tight and inventive (don’t miss the acrobatic bass line), the lyrics are precise and sincere without being dogmatic, and Curtis’s voice is rich, expressive, and disciplined. The overall vibe is heartfelt and sophisticated; if Kate Bush were interested in writing a catchy pop song that wrestles with spiritual precepts, it might sound something like this.
In any case it is certainly a Bushian vocal that, after a brief percussive intro, opens the song with echoey urgency. Curtis has an effortless melodic flair; from the opening lines of the verse the ear is hooked, and the song progresses through its interrelated parts–verse, pre-chorus, chorus–with a enviable sense of inevitability. Not all the lyrics will be immediately legible but, as with the most well-crafted songs, certain phrases will pop; one particularly indelible couplet is unambiguous: “The fascists are ascending/Disaster is impending.” A close listen reveals this as a voice in the head that the narrator is attempting to grapple with. I’d say a lot of us are grappling with that voice here at the end of 2022.
Born in California and based in Tacoma, Washington, Shannon Curtis is a singer/songwriter with a rich catalog to explore. Good To Me is her tenth full-length release in the last 10 years, following three previous EPs and an acoustic compilation album. “Take It If You Want It” is the opening track on the album Good To Me, which is something of a concept album, centering on an inner journey Curtis led herself on during the perilous, pandemic-jostled year 2021. The album, by the way, will next year be followed by a companion book, which Curtis describes as “a step-by-step roadmap for cultivating personal peace and power in hard times.” She notes further that the songs on Good to Me came from her own process of working with and through the steps described in the book. More on the album in the follow-up review, below. (Yes, this month I’m giving you two songs from the same album, with one palate cleanser in between. Keep reading!)