Under certain ineffable conditions I become a bit of a sucker for speak-singing in a rock’n’roll context (Cake perhaps my favorite example), and this one seems to hit the right buttons for me, general veneer of offbeat frenzy notwithstanding (or maybe because of it; hard to say). In any case there is no ignoring the sense of frantic drama that suffuses “Dog Stay Down”: from the wordless guttural chants in the introduction through the deft if semi-feverish vocal stylings of Angus Rodgers and the splatty horn charts, the song spools forward with an unhinged but somehow charming panache that grows more appealing with each listen. Those last 20 seconds introduce an extra level of loopy.
I have no idea what Rodgers is singing about, by the way, and it doesn’t remotely matter. Actually I’ll go out on a limb and say that lyrics in general tend to strike me as semi-irrelevant, in terms of their specific denotation. My ears require vocals on the one hand (I’m not much of an instrumental fan), but on the other hand I realize my enjoyment of words in a rock song has more to do with the voice as sound and the words as rhythm and texture than with what a singer is specifically saying. And here in fact is one of my perennial problems with standard music writing: so many reviews of albums focus so intently on lyrics that you’d almost never know the words were actually being sung, and accompanied by melodies and arrangements. More to the point, such writing tends to overlook the unique power of music, ignoring what’s most potent in the listener experience, which at its core is about sound waves, not verbiage. Or so says me. In any case, even were I able to discern all the words here, in “Dog Stay Down,” which I can’t (and at this point there’s no looking them up online), I really wouldn’t want or need to. The cathartic vibe speaks for itself.
Opus Kink is a six-piece band from Brighton, England. “Dog Stay Down” is a track from their debut EP, ‘Til the Streams Run Dry, which was released in October.