Free and legal MP3: The Color Forty Nine

Plaintive bilingual waltz, w/ horns

“What Would I Know? / ¿Yo Que Sé?” – The Color Forty Nine

A song with a recurring instrumental motif separate from the central melody is, to my ears, almost always a worthy enterprise. When that recurring instrumental motif is performed by a plaintive trumpet, as with “What Would I Know? / ¿Yo Que Sé?,” all the better. What I’m talking about specifically is the trumpet melody first heard in between the lyrics at 0:27, and which continues to ground the song in alluring melancholy the rest of the way. The horns—there is more than the one trumpet as we get going—have a beautiful Mexican vibe, reinforcing the song’s bilingual setting. The music, with its 3/4-time sway, lulls the ear while the English lyrics offer impressions and hints; this is one of those songs where you feel what’s going on at a level below concrete awareness. Which is to say I have no idea what the song is actually saying but that doesn’t seem to matter; I still get it.

The lyrics alternate between Spanish and English while the music alternates between major- and minor-key melodies. Every touch along the way seems ideal: the violin that weaves itself into the mix, the group vocals that bolster the chorus (which consists only of the song title, in both languages), the ongoing shifts in the horn charts, the false ending at 3:27, the subsequent coda. With its gentle folk-music sensibility and expressive craft, the song washes over the spirit, seeming to carry with it a sort of wisdom of the ages.

The Color Forty Nine is a San Diego-based quartet. The Spanish lyrics here are sung by guest vocalist Rubén Albarrán of the band Café Tacvba, from the suburbs of Mexico City. “What Would I Know? / ¿Yo Que Sé?” is a song from The Color Forty Nine’s second album, String Ladders, which was released last month.

Free and legal MP3:Tracey Thorn (EBTG vocalist returns w/ Brel-like waltz)

“Oh, The Divorces!” – Tracey Thorn

Just the sort of lovely, bittersweet song that Tracey Thorn, known best as half of Everything But the Girl, seems born to sing. A Jacques Brel-like waltz with both pathos and humor, minimally scored with piano and strings, “Oh, The Divorces!” deftly captures the exquisite sorrow of marital demise, viewed from that stage in life when one’s friends begin to break up, in seeming droves. “Who’s next?/Who’s next?” she sings at the outset. “Always the ones that you least expect.”

The nicely sculpted lyrics are a particular treat, and not just because they emerge from Thorn’s dusky yet velvety alto, although that doesn’t hurt. At once matter-of-fact and ever so slightly sly, some of the words shine with almost Sondheimian savvy (“And this one is different/And each one of course is/And always the same/Oh, the divorces”). There’s something gratifyingly grown-up about this song–from the wise, hurt depth of Thorn’s singing to the wistful (and yet also sometimes almost ironic) bowing and plucking of the violins–and those rock’n’rollers who persist in championing loud and aggressive music as the only legitimate means of expression are so incredibly missing the boat I’m beginning to feel sorry for them, rather than annoyed. (Although I’m still pretty annoyed. Essay to follow. But read Azzerad’s first if you haven’t.)

“Oh, The Divorces!” is the lead single from Thorn’s upcoming Love and Its Opposite, slated for a May release on Merge Records. MP3 via Merge. This is her second solo record since EBTG went on hiatus in ’02. Thorn remains married to band mate Ben Watt–happily, one hopes.