Its dreaminess tweaked with a bit of a swing, “Falling” is an engaging song that highlights Chloe Mae’s supple and subtly potent voice. I’m hooked at the start by the Sundays-eseque character of the verse, its bi-level, 6/8 melody quickly revealing Mae’s voice as one to be reckoned with (check out the high E she hits around 0:31, a wonderful bit of passing dissonance).
But it’s the chorus that slays me for good here, the way its simple two-note melody, describing a descending major third interval, is answered a half step up and an octave higher with wordless vocals now offering an ascending minor third interval straddling the original two notes. That’s what’s going on technically but what counts is how satisfying this sounds, turning the chorus’s unusual reticence, melodically (how many choruses repeat just two notes?), into its superpower.
Things get pleasantly psychedelic in the second half, synthesizers moving from background to foreground, lyrics repeating the phrase “Falling back to you” as a sort of mantra with a synthesizer countermelody below and higher-pitched synth noodles above. Everything wraps up in a tidy 3:10. I suggest repeated listens, to allow its charms to sink further in.
Chloe Mae is a singer/songwriter from Brisbane. “Falling” is her second single, released in August.