The plucky ukulele riff that opens this one, as steadfast and persistent as ukulele riffs often are, hints not at the muscular romp to follow. But after the intro and a preliminary uke-backed verse, the band kicks in, and drives “Unleashed” forward with a gleeful vigor. That terrific bit of syncopation she dishes out at the end of each short verse—spelled out first in the ukulele prelude, starting at 0:20—adds to both the glee and the vigor.
“Unleashed” appears to be about rising up in resistance to injustice, and if so, it is surely one of the friendlier-sounding protest songs I’ve heard. The ukulele helps, to begin with. But Fellows herself has one of those congenial singing voices, a singing voice with the approachable tone of a speaking voice. It’s actually perfect for a protest song; she makes you inherently want to join in.
The lyrics add to the welcoming vibe. She positions resistance to tyranny as not merely humane but joyful; one line that stands out, both for its tone and its content, is: “We enrage our enemies/With rousing elegies.” I could not help but think of President Obama here, how the right wing extremists could listen to his eloquent calls for justice and respond only with unheeding rage. Fellows frames this crazy-making situation with such good-natured zest that it reinforces the important idea that we are not responsible for the reactions of others, only for our own actions. Which means: keep it up with the rousing elegies.
If “Unleashed” is a resistance pep talk, the Winnipeg-based Fellows doesn’t, in the end, shy from somber reality. Her final words, over a portentous drone from the cello, are “And the tide is rising.” On the one hand, she may be referring to the tide of the resistance, but the words unflinchingly bring climate change to mind. In other words, the tide of resistance had better be rising, and soon. She can rouse us into action with a good-spirited zing of a song but let’s remember the stakes.
“Unleashed” is a track from Roses on the Vine, Fellows’ seventh album, in a recording career dating back to 2000. She was actually one of the earlier artists featured on Fingertips, appearing back in August 2004. Her new album, released last month, is available in name-your-price fashion via Bandcamp.
photo: Lesandra Dodson