The wondrous, hypnotic “Modern Kosmology” rolls over the psyche like an extended magic spell, with sounds from many decades commingling in a most contemporary rock’n’roll stew. Even as the opening drums lope to a human beat (one, I’ll admit, that thrills an ear over-accustomed to digital knob-twiddles), electronics soon thread nimbly through the aural fabric, from droning synths and roughed-up bass lines to space-age twizzles and the masterful use of reverb (truly reverberant, never muddy). The word “psychedelic” is typically thrown around during discussions of Weaver’s music, and while I have not historically been drawn to music of that ilk (whatever that ilk actually entails), Weaver brings such aptitude to the swirl of sound that I surrender without hesitation.
Through this five-minute journey, the single-line chorus of “And now I’m changing my world” presides over the 3/4 swing like an incantation. Weaver’s voice, an arresting mix of sweetness and certainty, is a flawless guide through territory that feels both familiar and unprecedented. I could listen to this song all night. I basically did while writing this.
Weaver is a British singer/songwriter who came onto the U.K. scene in the ’90s as part of the band Kill Laura. John Peel was a fan; the band released but five singles. She formed Misty Dixon in 2002, which lasted a couple of years. She had also begun making some solo recordings in the aftermath of Kill Laura, but did not release a full-length album until 2006’s Seven Day Smile. “Modern Kosmology” is the title track to her eighth solo album, released back in May 2017. The song was featured as a free and legal MP3 on KEXP in September. I don’t know why it took me so long to get this up here. Apologies all around.
That said, Modern Kosmology‘s opening track, H>A>K (a reference to the early modern Swedish artist and occultist Hilma af Klint) was, at least, featured in a Fingertips playlist in August 2017. The entire album is well worth your time and support.