Torchy, reverby, and nostalgic, but also sharp, disciplined, and genuinely dramatic. Not to mention gorgeous.
Pay attention to how the reverb in Nadler’s creamy voice blends seamlessly with the spacey, Pink Floyd-ish guitars which soar in the distance below. This is why the song doesn’t get bogged down in echoey mud—there’s a lot going on outside the reverb that keeps the ear grounded in immediacy. The crisp acoustic guitar that emerges with a tinkling chord every now and then is a case in point; it is recorded so immaculately that you can sometimes hear fingers on strings (check out 0:58 if you don’t believe it).
Meanwhile, the composition’s abiding drama is built on a structure that has the song modulate upward with each return to the home melody, a musical fact that gains sly lyrical support near the end as Nadler sings “I am getting higher by the moment” (2:55).
“Baby, I Will Leave You in the Morning” is a track from her forthcoming self-titled album, which was funded via Kickstarter. This will be the fifth full-length release for the Boston-based singer/songwriter, who turns 30 in early April. She was previously featured here in 2007 and 2009.