Free and legal MP3: Foreign Born (satisfyingly complex indie pop)

“Vacationing People” – Foreign Born

At once ambling and deceptively precise, “Vacationing People” has the satisfying pop complexity of a late-era Beatles song, without being otherwise Beatlesque in any obvious way (though come to think of it, singer Matt Popieluch has a buzzy voice that can sometimes bring George Harrison to mind). While the song does have verses and a chorus, it also employs a repeating bridge, which results—unusually—in the bridge getting more air time than the somewhat elusive verses do. This kind of thing is subtle but effective: structural intricacy, when there still is structure (versus complete free-formedness), gives a pop song an ineffable sort of richness that charms the ears.

And what I think I like best here is how the song makes a hook out of something that is not inherently hooky. And let’s see if I can explain that. I’m talking about the chorus, which we hear the first time at 1:06. It’s a sort of call and response, with Popieluch singing a simple melody that meanders, ascendingly, around a shuffly beat that is surely influenced by one sort of world music or another (the press material says benga, which is from Kenya, but I don’t know enough to corroborate that); the answering vocals offer the same four-note response each time, three of the notes simply repeating before closing with one whole-step descent. The fuzzed-up bass and some tinkling guitar lines mesh with the shifty rhythms and the whole thing far exceeds the sum of its parts, forging a hook out of not one particular thing you can point to. By the second time it comes around, it sounds like an old friend.

Foreign Born is a quartet from Los Angeles. “Vacationing People” is a song from the band’s debut CD, Person to Person, scheduled for a June release on Secretly Canadian. MP3 via Secretly Canadian.

Free and legal MP3: Ariel Abshire (young singer/songwriter with a Neko-like air)

“Exclamation Love” – Ariel Abshire

After listening to a few too many songs and/or bands that seek to grab listeners by the collar with their quirkiness or their histrionics or their sheer volume, I find “Exclamation Love” to be a balm to the spirit. There’s nothing here but a fine song and a confident but disciplined singer. Yeah, she lets a note or two rip now and then, but it’s much more Neko Case than “American Idol”: a sweet seasoning of reverb enhancing full-throated tones of startling purity. I keep waiting for her voice to wobble, vibrate, or crack with practiced emotion but she’s having none of it. The closest Abshire gets to an emotional “trick” is at 3:40 when she starts flitting up to falsetto as she drags out the first syllable in “exclamation”–she’s just moving one whole step up but the shift in tone gives it the effect of a dire leap. The song is already two-thirds through, and at that point it’s no trick at all but a natural culmination of the journey.

And who needs histrionics when there’s this: “Why don’t you love me like you used to?” she sings at 1:36, then follows it with “I still love you like I used to” and listen to how she just plain spits out that last to. Check out, also, how the electric guitar uncorks a bit here, for playful emphasis, only to retreat into the mix thenceforth. Sometimes a little quirkiness can go a long way.

Abshire is from Austin and maybe it’s time I mention that she’s 17 years old. Apparently she’s been singing around town since she was 11. “Exclamation Love” is the title track to her debut CD, released last year on Darla Records. MP3 via SXSW.com. Thanks to Bruce at Some Velvet Blog for the head’s up.

Free and legal MP3: The Veils

Engaging, well-conceived rock’n’roll

“The Letter” – the Veils

Finn Andrews and company return with an assured piece of rock’n’roll theater: engaging, well-performed, and rewardingly dramatic, featuring a full-fledged, recurring instrumental motif the likes of which has all but disappeared from the 21st-century rock scene. I’m talking about the ringing guitar line that opens the song; at least, I think that’s a guitar–the sound is slippery and intriguing, and even though you can sing the melody easily back to yourself, you can’t quite tell what’s making it. When the theme returns later, braided into that sleek, idiosyncratic chorus, I can’t help but smile with a wordless sort of delight at the vivid economy on display. “She wrote the letter down” is all Andrews sings, twice, and–via that delay between “letter” and “down,” and the delicious melodic sidestep he takes on the second “down”–yet manages to open up a world of struggle and drama. I can’t figure out what else he’s singing about but, as is often the case (see above) when a gifted singer gets hold of a good song, it doesn’t seem to matter.

As noted last time around, Andrews is the son of Barry Andrews, once a sideman in XTC, later frontman for Shriekback. The Veils have gone through a variety of incarnations since their 2002 inception; the current, multinational quartet features two from New Zealand (including Andrews), a German, and a Brit. “The Letter” is from the band’s new CD, Sun Gangs, released last week on Rough Trade Records. MP3 via the Beggars Group web site.

New Fingertips contest: win the Jill Sobule CD

Jill Sobule’s new album, California Years, is being officially released this week. You may have heard by now of its unusual history. After her last record company went out of business, Sobule decided to see if she could fund a new album through fan donations only. In January 2008, she launched a web site dedicated to raising money for the album. Her goal was $75,000, to be reached via gifts to donors of various levels, from $10 (you get a free download) to $10,000 (you get to sing on the album; and yes, one fan gave it up for $10K). By early March, she achieved her goal, and ended up with almost $89,000 in donations. California Years is the end result.

It’s too late to have a chance to sing on the album, but now you can win a physical CD of it for no cost at all by going to the Contests page on the Fingertips web site and following the not too terribly complicated instructions to be found there.

April Q&A now online (featuring David Harrell, of the Layaways)

This month’s Q&A features musician and writer/blogger David Harrell. Harrell is front man for the Chicago-based band the Layaways; he likewise is founder of the blog Digital Audio Insider, which takes as its subject matter “the economics of digital music.” So he’s something of a ringer for the Q&A, which monthly asks musicians five questions about the state of the music industry here in the digital age. The guy knows what he’s talking about.

The Layaways have been twice featured on Fingertips, in February 2005 and November 2008.

10 current free and legal MP3 favorites, otherwise known as the Fingertips Top 10

I haven’t blogged about the Fingertips Top 10 since October, so every song on the chart now is new. (Songs remain in the Top 10 for a maximum of three months.) As of today, here’s the list:

1. “Davy Crockett” – South Ambulance
2. “River of Dirt” – Marissa Nadler
3. “No One’s Better Sake” – Little Joy
4. “I Know My Ocean” – The Traditionist
5. “Oh Oh Oh Oh Oh Oh Oh Oh” – Say Hi
6. “The Sun Ain’t Shining No More” – The Asteroids Galaxy Tour
7. “It Hurts Me All the Time” – Faunts
8. “Strangers” – St. Vincent
9. “Loaded” – The Idle Hands
10. “White Shade” – Lukestar

“Davy Crockett” just debuted at number one, which is an uncommon accomplishment, knocking Marissa Nadler down a notch. “White Shade” is the next song due to be retired. Like everything else on Fingertips, the Top 10 is idiosyncratic and synchronicitous. No research has been harmed, never mind consulted, in the construction of this list, which is simply my way of shining an extra spotlight onto ten particularly wonderful songs at any given time.

Remember, however, that Fingertips only features carefully filtered music to begin with, so you can’t go wrong with any of the MP3s featured here at any time.