Delectably groovy and smoothly melodic, “Pratfall” is an accomplished debut single from Philadelphia duo Theater Kids, fronted by Benny Williams. Call me a sucker for a classic chord progression, but here we have a well-known harmonic pattern wrapped in a wonderful sort of DIY sleekness (an oxymoron? actually not) which is right in my wheelhouse.
There’s something wonderfully old-school in how the introduction slowly builds the song’s soulful sound-world in way in which each addition seems inevitable, and with Williams’ vocal entrance, at 0:32, feeling as much like a resolution as an opening salvo. The lyrics are set against the back end of each measure, creating that enticing little space at the end of each line where the new measure starts musically but not lyrically. A lot of presence is created here without a lot of sonic embellishment; one of the beautiful things this song does is allow a certain amount of space around the notes being played (the bass offers a particularly lithe example). Musicians that have enough confidence in their material so that they don’t have to fill our ears with sounds in every moment are usually worth paying attention to.
I would like to articulate why this sort of chill but steady groove, these sorts of carefully laid-together textures, combined with a sterling melody, affect my ears so much much more positively than the beat-centric, effects-heavy tunes, so often about the most surface-oriented subjects, that dominate both the hipster blogs and the pop charts. (This has been an unprecedented alliance; that’s food for a separate post.) But there’s probably no useful way to put this into words. It all would appear to come down to individual taste; but, what I guess I’m always on guard against is when individual tastes have been unduly shaped and warped by larger, profit-oriented interests. Paul Weller said it most incisively a generation ago, in a song in which the lyrics initially say “The public gets what the public wants,” only to have the line flipped later, as a conclusion: “The public wants what the public gets.” The internet has made this an all the more unwieldy and complicated situation, combining technology that can make and record music without regard to an individual’s actual musical talents, with algorithms that amplify surreptitiously, and with an audience now trained to respect and notice quantity more than quality at every turn.
I digress. This is all to say that underneath “Pratfall” I sense human and musical intelligence, and I want to remember to applaud that as often as possible. I am happy to know there are individuals out there who can absorb today’s inputs and influences and still create something that feels removed from the thoughtless hubbub of SoundCloud uploads and Spotify links.
“Pratfall” was released in September. Theater Kids have released a second song, “Echoes,” earlier this month. Check everything out via Bandcamp. Thanks to the band for the download.