An offbeat blend of the quirky and the anthemic, “Let It Go” has a stop-starty vibe that fidgets against its 4/4 time signature in an appealing way. Add some tasty suspended chords into the framework, augment with synth sounds hijacked from the ’80s, and finish off with an impossible-to-resist shouty group-singing chorus and the song sends me into a very happy place. Whatever musical amalgam this is, whatever sub-sub-genre it falls into, I like rock’n’roll that sounds like this and am grateful there are still bands out there doing whatever this happens to be.
Above and beyond the general coolness of the song, allow me to draw your attention to the instrumental break that begins at 2:02. On top of a chugging bass line we first hear a rather homely synthesizer sketching out a pleasant, alternative melody over a minimized background in a one-finger-plunking kind of way. The way the interval-happy melody perseveres through eight measures, and nearly 20 seconds, is almost notable by itself but check out what happens next: the melody repeats with a fuller, more driven accompaniment and with the synth line fleshed out with two hands. The melody is transformed from pleasant to essential, and the song is given an unexpected, interstitial-based climax. Leading into one more chorus, this moment is then bookended by another unforeseen move as the song withdraws in size and volume, fading out with a delightful lesson in the value of less over more.
“Let It Go” is from Young Blame, an EP the Tins released in July. The Buffalo-based trio has one full-length and another EP previously to their name. You can listen to and purchase the EP
via Bandcamp. MP3 via Magnet Magazine.