Along with this playlist comes a larger announcement: Fingertips will be taking a summer hiatus starting with the unofficial start of the our American summer this coming weekend. I’m not sure whether the MP3s are drying up or whether it’s just me in need of a break but I know that as I tried over the last couple of weeks to work on the regular update I just wasn’t feeling it. I’m taking that as a sign that I can use a few months away from the MP3 review side of Fingertips. The plan is to keep the playlists going in the interim but we’ll see how that goes. I’m assuming I’ll be back with reviews at the end of the summer but we’ll see how that goes too.
In the meantime, here’s another idiosyncratic compilation, iteration 9.05, spanning the decades and the genres as usual. Don’t forget this means that there are more than nine years of playlists already stored and ready to listen to–you can go straight to the widgets on Mixcloud, or access them via the commentary about each mix on the Fingertips web site. Or, for a different and longer-lasting experience, there’s the Eclectic Playlist Series Master Mix on Spotify. It doesn’t have every last song ever featured on an EPS mix because Spotify doesn’t have every song but there are about 1,500 songs in the mix at this point; shuffle it and you’ve got an instant and pretty damn interesting radio station.
As usual, I’ll have a few stray observations about some of the song’s on this month’s offerings below the playlist and the widget:
1. “A to Z” – Alice Russell (To Dust, 2013)
2. “Peaches en Regalia” – Frank Zappa (Hot Rats, 1968)
3. “Speed of Sound” – Coldplay (X&Y, 2005)
4. “Madness” – Carlene Carter (Musical Shapes, 1980)
5. “I’ll Try” – Sharon Van Etten (We’ve Been Going About This All Wrong, 2022)
6. “The Only One I Know” – The Charlatans (Some Friendly, 1990)
7. “Help Me Make Up My Mind” – Joyce Jones (single, 1969)
8. “Release, Release” – Yes (Tormato, 1978)
9. “Ablaze” – Liz Durrett (Husk, 2005)
10. “Cry” – Godley & Creme (The History Mix Vol. 1, 1984)
11. “She Loves Everybody” – Chester French (Love the Future, 2009)
12. “Sunday Morning” – Margo Guryan (Take a Picture, 1968)
13. “Every 1’s a Winner” – Hot Chocolate (Every 1’s a Winner, 1978)
14. “The Unheard” – Fabryka (Sparkles EP, 2015)
15. “Airstream” – Low-Beam (Every Other Moment EP, 2004)
16. “We’re Not Deep” – The Housemartins (London 0 Hull 4, 1986)
17. “Everybody Needs a Hammer” – Willie Nile (Places I Have Never Been, 1991)
18. “Asking for a Friend” – CHVRCHES (Screen Violence, 2021)
19. “Brother” – Color of Clouds (Satellite of Love, 2010)
20. “The Hurt” – Cat Stevens (Foreigner, 1975)
* Last month I featured the Canadian singer/songwriter Allison Russell near the top of the mix; this month I’m starting with a song from the British soul singer Alice Russell–two quite different but equally wonderful performers. Alice Russell has been recording since 2004, but only recently came to my attention. (So much music, so little time…) A powerhouse singer inspired by classic soul recordings while committed to contemporary ideas and sounds, Russell has somehow never gained the widespread recognition that Amy Winehouse did mining similar territory. “A to Z” is the lead track from To Dust, a 2013 release that remains her most recent album.
* Sharon Van Etten slays it yet again with her new album, We’ve Been Going About This All Wrong. You kind of have to sink into her vibe when listening to an album of hers–she tends towards similarly-paced songs, somewhere on the slower side of midtempo. But there’s always something intense and gorgeous going on with her music, and when she does allow a song to pick up the pace a bit, it seems effortlessly brilliant, as with “I’ll Try.” And while I’m fanboy-ing SVE: if you’ve never seen her covering “Stop Draggin’ My Heart Around” with the band Shearwater you are in for a treat if you go there right now. Mysterious feelings arise for me as this video unfolds. And don’t miss the face she makes at the very end. Melts my heart every time.
* I am neither much of a Yes fan nor a prog rock fan but the occasional song of theirs appeals to me for inscrutable reasons. These seem always to be songs that were recorded past their first few extra-proggy albums, which means that the Yes music I like is probably all the stuff that their “real” fans disparage. “Release Release” is something of a lost track from something of a lost album, 1978’s Tormato. It’s kind of a lovable mess, with energy and hooks to spare. Bonus points for that short section when Anderson isn’t singing in his screechiest register. Not sure what the crowd noise is doing there in the middle of the instrumental break, but when it turns off we get one of the song’s best if subtlest moments.
* “Airstream” was originally featured here back in 2004 and it still sounds elusively original to me; you can read my original review here. All these years later it’s hard to track the New London band Low-Beam, which had its regional heyday long before social media took hold–their original releases, three EPs and a single, happened between 2002 and 2007. According to one online account, the band began work on a full-length as early as 2004, but there were a variety of unspecified difficulties. The album did eventually come out; on Bandcamp the release date is listed as 2011, but the dates listed on Bandcamp are not necessarily the dates of an album’s original release but when an album was uploaded to the site. There are also two double-sided singles up on Bandcamp with release dates of 2010 and 2011. The only thing that seems clear is that the band is no longer around, although the Bandcamp page as noted is available and worth exploring.
* I am impressed by how much staying power the best songs by the artist formerly known as Cat Stevens still have, some 50 years or so after the fact. To my ears his biggest hits (“Wild World,” “Peace Train,” et al.), while worthy and ear-wormy, are a notch below a healthy handful of other songs that had their moments on the FM dial back in the day but are less widely remembered today–“Sitting,” “On the Road to Find Out,” and “Sun/C79,” among others, including this month’s closing number, “The Hurt.” “The Hurt” did get its share of radio play when it was released, but it was a track off an album, Foreigner (1973), that marked a commercial dropoff from his super-popular LPs from a few years earlier, Tea for the Tillerman(1970) and Teaser and the Firecat (1971). Foreigner was complicated by the fact that side one was taken up with one long track–not an uncommon move for a rock act in 1973 but maybe nothing Cat Stevens’ fans were hoping for. He had one more big album in him, 1974’s Buddha and the Chocolate Box, before his music began losing its strange but compelling spark, as his long-standing mixed feelings about rock’n’roll stardom culminated in his forsaking not only the career and lifestyle but his very name, converting to Islam late in 1977, and abandoning his musical career for two decades. In recent years Yusuf Islam has re-embraced his Cat Stevens side–he is identified now as Yusuf/Cat Stevens–and has released a few albums that bring his classic sound to mind. Check out 2017’s The Laughing Apple as an example if you are at all curious. To my ears the new stuff is missing the deep melodic magic of his prime ’70s work but his voice remains a wonderful instrument indeed.
* If you manage to listen through to the end you’ll be rewarded with one my best accidental segues to date, as “Brother” glides into “The Hurt.”
* Four other songs on this playlist, beyond “Airstream,” were originally reviewed as MP3s here on Fingertips: “Ablaze,” “She Loves Everybody,” “The Unheard,” and “Brother.”