There’s a hymn-like solemnity to “Heartbreak River,” with its dignified pace, swelling vocals, and down-home vibe. There’s also something that cumulatively touches the soul here, although I’m not sure I can put my finger on exactly what it is. Gardner is a young singer/songwriter with an ache in her voice and a depth to her presence, so part of the song’s persuasiveness lies in her performance.
And me being a melody guy through and through, I’m also moved by the solidity of the tune itself, which has a steady majesty, and culminates in a resolution in the chorus as mighty and unshakable as they come: the first half (0:45-0:59) a thoroughgoing set-up for the second half, the second half (1:00-1:14) the unhurried and inevitable conclusion. You see the resting point coming from a mile away and it’s all the sweeter as a result.
As suits the song’s humble power, the arrangement feels easy and tasteful, grounded in simple piano playing, with intermittent violin countermelodies, the occasionally audible guitar lick, and the recurrent punctuation of layered backing vocals. These voices rise and fall with restrained drama (and perhaps a bit of vocal processing?; if so, I like the effect a lot), becoming increasingly central to the song’s complexion. The violin, for its part, hangs back a bit, curbing what might be a natural tendency in this sort of song to pour on the syrup; when it moves front and center for the short coda (3:24), it carries with it the heft and poignancy of a bygone time.
Savannah Gardner, born to British parents, was raised in California, but lives now in the Cotswolds. “Heartbreak River” is a single released back in May; her new single, “Take Me Home,” came out late last month; you can check it out via YouTube. Thanks to Savannah for the MP3.