Speaking of trumpets (see previous post), here we have that trusty brass contraption contributing to an entirely different aural universe. The trumpets on display here evoke the tones heard in Latin horn charts, while tracing a languid melody, against a swaying beat, that sounds like shade on a sunny beach day.
This is music as constructed collage; Havana Swim Club mastermind Dan Koch utilizes samples from vintage and/or global vinyl to create what he labels “nostalgic instrumental dream pop.” However digitally manipulated it is, “Lagoon” flows with a well-constructed sense of purpose and a gratifying feeling of space. One of the savvy things Koch does is reveal the song’s principal melody only once near the beginning (0:34-0:54) and once near the end (3:04-3:27). The rest of the song functions as variations to the main theme: there’s the theatrical introduction, itself a riff on the second half of the primary melody; there are dream-like snippets of the main motif, offered in minimalist segments; there indecipherable voices, shimmering sound effects, and subtle countermelodies and electronic flourishes, all nodding in the direction of the primary theme without delivering it. In the song’s second half we are teased by the return of the introduction (2:00), but the central melody remains withheld until just past the three-minute mark. At this point, the returning trumpet solo sounds luxurious and triumphant, and yet doesn’t overstay its welcome–one simple pass through the melody and the song shuts itself right down.
The evocatively-named Havana Swim Club is, as noted, the project of the Seattle-based Koch, who is a founding member of the indie rock band Sherwood. “Lagoon” is a track from the debut self-titled Havana Swim Club album, which was released last week. You can listen to the whole thing, and buy a digital copy, via Bandcamp. MP3 via the artist.