A song about losing both parents and contemplating suicide is not standard top-40 material but Gilbert O’Sullivan fashioned a catchy ditty of it back in 1972; the song was later declared the fifth most popular song of the ’70s, according to none other than Casey Kasem. Those were the days(?).
Fifty years after the song was originally recorded, NYC-based singer/songwriter Perry Serpa has pulled it out of the oldies stack, to terrific effect. While not making any flagrant changes, Serpa manages to excavate the mature heart of a song initially a bit too jaunty for its own good. He’s slowed it down slightly for one, ditched the vampy piano and sunny acoustic guitar fills for another, and, crucially, reduced the sappy swelling of strings to the sound of individually articulated violin lines. But maybe the most impactful change is the shift in vocals: O’Sullivan sang with a bright, poppy tone that fought with the content; plain-dealing and world-weary, Serpa dives into the song’s poignancy by staying ever-so-slightly above it. Where O’Sullivan gave pep the aura of hopeless defeat, Serpa delivers melancholy with an undercurrent of tenacity. At the risk of offending originalists, I like this version quite a bit better than the well-known one.
Serpa’s incisive cover is one of ten tracks on his new album, Laying Low in the Highlands, scheduled for release next week. Serpa was last featured on Fingertips in 2018, with a track from that album of his that created the fictional classic album Nick Hornby wrote about in his novel Juilet, Naked. (If you never heard it, and/or never heard about this project, go back and check it out. It’s well-done and worthwhile.) With his band, The Sharp Things, Serpa has also been here in 2013 and 2014. Thanks to Serpa for the MP3.