I am not often a fan of the slow build, I will admit that up front. In particular I usually run screaming from songs that have introductions that are both slow and long; bonus (negative) points for being overly repetitious. I’m always thinking, “This is a friggin’ pop song! Get to the point!”
But what we have here with “Weird Ways” is a slow build I’m down with. For one thing, the singing starts right away. This may be a slow build, but it’s not just a tedious beat; there are expressive lyrics, and, best of all, an impressively well-built melody. Things may not entirely cohere in your ear during this slow introductory section, but when the song opens up at 1:30, abetted now by riff and backbeat, we soon get re-introduced to the opening melody and can hear it now in all its anthemic glory. This is the kind of melody that feels classic as soon as you hear it in this setting.
A minute later, the song veers into misty reverie, but with enough texture and pulse to keep things interesting. A minute after that, a head-bobbing bridge, with layered vocals, leads into a big-time guitar solo. The bridge returns nearly a minute later, with additional drama in the vocal layers, culminating in a portentous sustain that closes things out. So much going on! But wait a minute. What happened to that anthemic melody? We hear the last of it at around the two-and-a-half-minute mark of a nearly six-minute song. As a listener, this is maybe slightly frustrating but also slyly engaging. Look, Strand of Oaks mastermind Timothy Showalter could have easily given us more of that haunting refrain but consciously decided not to. Part of it relates to the wise dictum of “Always leave them wanting more.” But he could have done that with, simply, a short song. “Weird Ways” is a long song, but only about a minute of it delivers its rousing, straightforward hook. Given that the lyrics, as much as I can follow them, talk about leaving something established behind while finding an unanticipated new path, I’m surmising that the music here is intended as thematic corroboration. Maybe ear-pleasing melodies come too easily for Showalter; maybe his soul is calling him in another direction. Or, maybe I’m reading too much into what is no more or less than an excellent 21st-century rock song.
Born in Indiana and based in Philadelphia, Showalter has now recorded five studio albums as Strand of Oaks, plus an adjunct album of demos, b-sides, and alternate takes. “Weird Ways” is the opening track on his most recent album, Eraserland, released earlier this year. MP3 via KEXP. You can buy Eraserland (digital, CD, vinyl) at Bandcamp. (Thanks to Glorious Noise for the screen cap!)