Last heard here in January 2015, Spencer Berger is back with his unique, theatrical take on 21st-century rock’n’roll. “Never Wrote a Diver a Poem” is brisk and elusive, ending before the cavalcade of mysterious lyrics can quite register—before, it might seem, the song has truly taken full flight.
But boy what an incisive little piece this is, with its mix of arcane pronouncements (“Never helped a builder learn the dirt’s a liar”) and aphoristic gems (“‘Kindly’ is a word that makes me doubt my deeds”), set to a rolling melody that spikes almost astonishingly with a one-off hook (the “once in generation” segment, starting at 0:54) before cuddling back into its determined groove. And even while barely reaching 1:40, the song is concise enough to first offer up a wordless melody in the introduction and then, at the end, bring that motif back into the song, now with lyrics (1:24).
Above and beyond all this remains the singular allure of Berger’s singing voice, which is tinged with exotic drama, bearing little resemblance to anything you’re normally streaming in the 2010s (unless you happen to be a Bat Out Of Hell fan; I must inescapably join in with others who hear Meatlovian elements in Auditorium vocals). One would guess Berger’s distinctive sound has something to do with his unique background, having been a professional opera singer from the ages of nine through 12; as a child, he literally sang with Pavarotti. Based in Los Angeles, he began recording as Auditorium in 2011. His new album, The First Music, was released in January; you can listen to the whole thing and buy it via Bandcamp. It’s a real one-man-band effort, as Berger not only sings all the vocal parts and plays all the instruments, he also recorded and mixed it himself.
(Note that the song I featured here two years ago, “My Grandfather Could Make the World Dance,” has also ended up as a track on the new album.)
Thanks to Spencer for the MP3.
photo credit: Liza Boone