“Roll” tosses you onto a featherbed of chill without so much as mussing your hair. And yet the song also quivers with a fidgety unease, and therein, to my ears, lies the depth and distinction. It’s easy enough (although not really) to lay down a smooth beat and offer up some whispery vocals and call it a day. “Roll” starts there but heads into more stimulating corners. An initial hint is found in the bass line, in the way its staccato bursts at the beginning of each measure melt into mellower iterations at the back end. It’s a nuanced, subtly unsettling effect.
Then there are lyrical phrases, which, when rising to the listener’s awareness, do not exactly say “Let’s party,” for instance, the opening salvo: “If you want to take me out, shoot to kill,
You better burn this city down.” And probably best of all, there’s a saxophone, and the kind that sounds like the player is standing underneath a streetlight on a moonless night. Notice how it slips all but unnoticed into the background at 0:42, initially providing only muted accents before, one-third of the way in, the signature riff is blown (1:15), instantly turning the song’s introductory motif, originally laid out on synth, into something nearly heroic. Of course this was made to be a sax riff. And yet who would have anticipated that at the beginning?
Work Drugs, previously featured on Fingertips in March 2015, is the duo of Tom Crystal and Ben Louisiana (although live the band expands to four or five). Based in Philadelphia (second Philly band of the month here; go Eagles), these guys are awfully hard-working for being so mellow: “Roll” is a song from their eighth full-length album, Method Acting, released in August. Their first album came out in 2011; you do the math.
You can check out their entire catalog on Bandcamp. Alternatively, you can listen to a whole bunch of Work Drugs songs on their SoundCloud page; many of them are available there as free and legal downloads.