If “We Don’t Have to Go Out Tonight” doesn’t single-handedly rescue the electric guitar in our knob-twiddling age, then we may just have to give the thing up for dead once and for all. There are the well-placed, slightly wobbly chords of the introduction; the crisp, economical riff accompanying the verse; and then, watch out!: the intertwining of the lead and rhythm guitar lines (1:04), a veritable ballet of funky precision. I’m just about hypnotized by all this. What was your question again?
And okay I’m not expecting miracles here. This is the kind of song that stirs up a tiny bit of dust in a couple of quick weeks (when blogs that need to be first with everything spit their PR-filled words onto the internet), then pretty much disappears (because those same blogs rush on to the next thing, and the next). (Don’t get me started on this, please.) So yes “We Don’t Have to Go Out Tonight” has been out for a few months. Sometimes (maybe all the time) it pays to reflect. I first heard this and it seemed pleasant but I wasn’t sure. Maybe I wasn’t in a good mood that day, who knows. So it sat around and I kept listening. One day it hit me that this song was really good. Those kind of muted lead vocals in the verse, that initially made me wonder what was happening? Turns out they are smartly redeemed by the clarity of the vocals in the chorus, when Christian joins Linda—and note how he sings backing vocals on the same note as the lead vocal for the first two lines, then offers one line of harmony, then a final line back on the same note. It’s a lovely, unassuming construction.
Much as Death in the Afternoon seems to be a lovely, unassuming duo (the aforementioned Linda and Christian, surnames missing in action). They are based in Halmstad, Sweden and take their name, for unknown reasons, from Ernest Hemingway’s treatise on the glory of bullfighting. Their self-titled debut album came out in October on the Stockholm-based Sommarhjärta label.