With sly hints of the old Hot Chocolate nugget “Every 1’s a Winner,” “Sabbath” chugs off the launch pad with delicious authority, featuring the splendid songwriting trick of beginning your lyric with the word “And.” I’m kind of a sucker for that one. And Ward White’s rounded, art-y tenor, a less adenoidal version of someone like David Byrne, it turns out I’m kind of a sucker for that too.
“Sabbath” is as arch and distinctive as a rock song can hope to be in the year 2014 without sounding fey or contrived. The verses feel like we’re already in the middle of the song, and lead us into a section (0:47) that bridges us without hurry to the chorus, accumulating lyrical lines while not quite coalescing musically; and the chorus, when it arrives (1:02), turns out to be less a chorus than a single sentence, rendered memorable by a vivid chord change in the middle (on the words “in front of my face,” at 1:08). The lyrics, meanwhile, feel rich and involving without easily forming a narrative. But any song that can include these lines—
And what of all these women?
They come and go but mostly go
And when they come believe me I’m the last to know
—is surely doing something right. And then, as word-oriented as White appears to be, he unexpectedly closes the song out with an increasingly scintillating minute-and-a-half of droning guitars and bashing drums. Fun!
The Brooklyn-based White has been releasing stylish, accomplished recordings since the late ’90s, floating around the edges of the NYC music scene without quite breaking through, even to the blogosphere. Which may also mean the man is doing something right. “Sabbath” is a song from his eighth solo album, Ward White is the Matador, released earlier this month. MP3 via Magnet Magazine.