For a minute and a half, “Tired & Buttered” pounds away with a fidgety, psychedelic claustrophobia that seems counter-intuitively liberating. I don’t think we’re hearing more than two chords here, and the section that seems to be the chorus appears to be getting by with just one. Notice too that a lot of urgency is created without, actually, that much noise. No wailing or bashing, just a steady beat, some atmospheric vocal effects, an elusively non-Western guitar line, and two chords. Keep an ear on the harmonies, which are casually trippy.
At the precise halfway point, things change (1:30). The song slows and quiets, the woozy vocals get a bit woozier, the drumming gets careful and winsome. Soon an electric guitar snakes to the foreground with an informed ’60s flair for the pop-exotic, and leads us with an abrupt lack of fuss back to the opening tempo and ambiance. Now the guitar seems more clearly in charge, its background flourishes suddenly keys to the entire song. Having no clear idea what “tired and buttered” means will not detract from the song’s charms.
Quilt is a trio from Boston. “Tired & Buttered” has been floating around online since the fall, finally to emerge on the band’s second album, Held in Splendor, in late January, on the Mexican Summer label. MP3 via NPR’s fine selection of free and legal downloads from 2014 SXSW acts.
(As a P.S., the band had a bad accident in their van recently. They are all okay but their van, upon which they rely to tour, is not. You can read more details at http://quiltmusic.org/quiltmusic/HOME.html and contribute some amount, big or small, if you are so inclined.)