Introspective and artfully composed, “The Lake” is I guess pretty much the opposite of a headbanger, and seems a perfect rejoinder to the previous song, for those who listen to each week’s update as a three-song set (which in fact I recommend!).
This is one of those songs with mysterious power—a power based on small rather than large gestures. Built on a sparse, pulse-like riff (initially played on acoustic guitar, later on keyboard), the delicate verse is augmented by complex vocal countermelodies and deft orchestration. Clare Manchon sings with a rounded, whispery tone, spiced with old-fashioned flutters and an unplaceable almost-accent. She tells a tale of inscrutable departure, vaguely narrated but sharply observed. The chorus nails it all together, at once majestic and subtle, a grand hook built out of nearly nothing: a repeating phrase, different lyrically at the beginning of each line, sung in a lazy, irregular, repeating triplet pattern. It’s intoxicating stuff, especially the second time through (beginning at 2:35), when the chorus extends and extends, the musical repetition highlighting the bottled-up emotion of the melancholy circumstance.
Clare and the Reasons is a Brooklyn-based band led by Clare and Olivier Manchon. Clare is the daughter of veteran musician Geoff Muldaur and sister of singer/songwriter Jenni Muldaur. The band, a shape-shifting ensemble, was previously featured here in 2007. “The Lake” is from the third C&TR album, KR-51, to be released next month on Frog Stand Records. The album was recorded after an eight-month stay in Berlin, much of which time was apparently spent on moped—specifically on a 1968 Schwalbe model KR-51. Thus the name.