Free and legal MP3: Sarah Blasko (smoky vocals, Morricone-ish setting)

Nothing says “cinematic” better than a Morricone-inspired whistling introduction, but I like how down-to-earth and personal everything still manages to sound here. Often this kind of spaghetti western-ish styling opens up sweeping vistas with a certain amount of ironic winking, conjuring bleak deserts and dusty trails in an almost cartoonish way. But here Blasko takes the whistly intro, the Spanish-like guitar, and a touch of martial snare and wraps them up in her smoky, heartsore voice, singing a simple, haunting melody.

“All I Want” – Sarah Blasko

Nothing says “cinematic” better than a Morricone-inspired whistling introduction, but I like how down-to-earth and personal everything still manages to sound here. Often this kind of spaghetti western-ish styling opens up sweeping vistas with a certain amount of ironic winking, conjuring bleak deserts and dusty trails in an almost cartoonish way. But here Blasko takes the whistly intro, the Spanish-like guitar, and a touch of martial snare and wraps them up in her smoky, heartsore voice, singing a simple, haunting melody. By the time the strings arrive, we aren’t picturing a lonesome rider in the blistering vastness of the faux Wild West; she is clearly singing about inner landscapes, not outer ones. That producer Björn Yttling (of Peter, Bjorn and John fame) has found a way to personalize a musical setting rooted in outsized gestures is a mighty part of this song’s charm, but it took Blasko’s distinctive husky-breathy voice to pull it off. I’m guessing her voice gave him the idea in the first place. There’s something haunted and unreachable in it.

Blasko is from Sydney, where she has a sizable following after three well-regarded albums. “All I Want” is from her third and most recent CD, As Day Follows Night, which was recorded in Stockholm with Yttling and released last year in Australia and this spring in Europe. A U.S. release is scheduled for August.

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