A fuzzy blast of melodic noise, “In Perfect Time” seems to want to be played really loud. As a matter of fact, it has a kind of sneaky effect going–the louder I turn it, the louder still I feel I need to hear it. This clearly has to do with how singer Chris Burney’s voice is mixed down, but it’s more than just that. Any number of other bands have done the mixed-down-vocals thing and it doesn’t always have my hand reaching for the volume dial (okay, not a dial anymore, but whatever). So what else is going on here?
Part of it has to do with the unerring melodicism on display. Songwriters with the talent to write this kind of strong, earnest pop melody–Matthew Sweet in his heyday had this kind of sound–typically give you the thing right out front. You don’t have to fight for it. I turn the volume up here because I’m trying to put the melody where I’m used to hearing it. But, of course, turning the volume up only turns all the background wash louder also. And the noise is not at all unpleasant, mind you. It’s bashy and tinny and crunchy. And when it gets louder, I need to turn the volume yet higher, again trying to raise the vocals to a more audible level. A losing battle in this case, especially since–strange but true–the wall of sound appears to get proportionally louder than the vocals as I increase the volume. Producer Mike McCarthy has some wacky magic going here, perhaps the after-effect of working with Spoon’s studied minimalism for so many years (he’s produced all their albums since 2001).
The Sun is a band from Columbus, Ohio that did not name themselves with Google in mind. “In Perfect Time” is the closing track on the album Don’t Let Your Baby Have All The Fun, released this week on Rock Proper. Rock Proper happens to be a so-called “netlabel,” which means that its releases are entirely digital and entirely free. You can download all the songs from the album as free and legal downloads here.