Tag: time signatures

Free and legal MP3: The Morning Benders(musically astute pop w/ crunch & charm)

“Promises” – The Morning Benders

Chunky, loping, and unaccountably engaging new song from a long-time Fingertips favorite. But never fear, I will try to account for it. First, note how the octave harmonies (I always love octave harmonies as you may know by now) set up the first kind-of-hook, which is at 0:25, when the melody shifts from something low and slinky to something higher and more forceful. The melodic shift hooks the attention precisely because of the octave harmonies: the first half of the melody naturally focuses your ear on the lower harmony voice but when the higher-register section starts the ear now latches onto the higher voice. So it’s like we hear a more pronounced displacement than is actually happening. It may not be a hook per se but it’s subtly compelling. You want to keep listening.

Next point on the tour: that crunchy, unresolved chord that both ends one verse and starts the next (0:31). And then, notice that as the second verse unfolds, it doesn’t play out like verse one, and now for the first time we get phrases that stand out both musically and lyrically. The first is when Chris Chu sings “They say it’s only natural,” and then, even better: the linchpin point to which the song has been building (0:58), at the lyric, “I can’t help thinking we grew up too fast.” Things deconstruct a bit after that, with shifting time signatures and accumulating noise. And round about now I’m noticing how thick with musical detail this song actually is–there are engaging guitar licks, hidden keyboard flourishes, unexpected percussive accents, stray sounds, and an ongoing parade of nifty chord changes. These guys know what they’re doing.

The Morning Benders, a quartet from Berkeley, are no strangers here, having been featured twice previously–in June ’08 and, for the sublime “Grain of Salt,” in December ’06. “Promises” is from the Big Echo, the band’s second full-length, and first for Rough Trade Records, due out next month. MP3 via the Beggars Group, of which Rough Trade is a part.

Free and legal MP3: Kinch (mesmerizing melody, with time signature tricks)

“The Economic Chastisement” – Kinch

This song has a central time-signature complication going on but it took me any number of listens to notice. Which speaks to a songwriting feat I’m particularly fond of: not merely a time-signature complication, but a complication that doesn’t draw undue attention to itself. I like when the unusual is disguised as normal. (A related trick, similarly tasty: disguising the normal as unusual.)

Basically you’ve got an ongoing three-beat rhythm regularly interrupted by one two-beat rhythm–I’m guessing two 6/8 measures followed by a 5/8, but who knows. The more interesting thing is how this asymmetry is adroitly masked. First, notice the pulse-like drumbeat, which for the first minute sounds quite literally like a heartbeat, implying a steadiness that isn’t actually there. Second, for all the implied motion in the song, the melody is focused on one note for a whole lot of the time. It gets kind of mesmerizing, particularly in combination with that cycling, just this side of comical piano vamp that kicks in at around 1:20. Another point of distraction is how the song comes to a near-complete stop during that brief, immobile chorus or bridge or whatever that is between verses. We notice that, but we don’t notice the fact that there’s no way to tap your toe to the song consistently even when the song starts moving again.

Kinch is a four-piece from Phoenix; their name is the nickname given to Stephen Daedalus by (stately, plump) Buck Mulligan in Ulysses. “The Economic Chastisement” is the title track to a three-song EP the band self-released last month. If the title carries with it the weighty suggestion that we’re all complicit in the rearing up of the so-called Great Recession, I have the feeling the band would be satisfied. They themselves are looking for no handout–the EP is available as a free and legal download on the band’s web site, as is their entire first full-length CD, released last year. “These songs are meant to be shared,” the band writes. “Please feel free to send them to anyone you like.” It’s a different kind of stimulus package.