Free and legal MP3: A Camp (shimmering, bittersweet pop)

“Love Has Left the Room” – A Camp

At once expansive and intimate, “Love Has Left the Room” shimmers with the large yet delicate pop energy of something from the ’60s that didn’t rock, with Cardigans front woman Nina Persson here playing the part of Lesley Gore, maybe, or even Vicki Carr. We get the orchestral flourishes, the lyrical and melodic melodrama, and the engaging pattern of verse-tension and chorus-release that gave that sort of music its radio-friendly kick.

As with “Airplane Blues” (above), this song likewise has one particular moment that makes the whole thing come together, for me: it’s the elongated “you” in the chorus, in the line “I’ll let go if you just tell me”—a note that pretty much epitomizes the bittersweet interpersonal stalemate the song describes. The “you” is offered just one whole step down from the “I” but in a separate, disconsolate harmonic context; even the way the note is held, a half breath more than seems seemly, speaks as well as the words do about the pangs associated with a relationship that disintegrates without closure.

Persson launched A Camp way back in 1997, to be a sort of experimental side project from her regular work fronting the Cardigans, but at this point the Cardigans are on hold and A Camp has had the more recent success—its self-titled 2001 debut won four Grammys in Sweden. “Love Has Left the Room” is from the trio’s second album, Colonia, which was released last month on Nettwerk Records. MP3 via Spin.com.

Free, legal MP3: Afternoons (orchestral, neo-hippie vibe meets solid songwriting)

“Say Yes” – Afternoons

This one carries the wacky, group-sing, neo-hippie vibe of the Polyphonic Spree but with the added benefit of really solid songwriting.

“Say Yes” unfolds with a jaunty, trumpet-led rhythm augmented by a loopy backing vocal that brings the Star Trek theme song to mind. In the indie world, lots of songs pretty much end there–quirky, big-ensemble intro, and that’s all we get. To its credit, “Say Yes” develops resoundingly beyond its minute-long intro, presenting us next with a verse featuring a non-repeating melody that stretches out for more than 40 seconds, incorporating 18 measures of music. That’s all but unheard of in a rock band, but then again, Afternoons are an idiosyncratic rock band at best, being a seven-piece ensemble that includes two drummers, a trumpet player, and a classically trained opera singer. Three of the seven players were in the L.A.-based band Irving, which has been put aside now that that band’s side projects have apparently overshadowed the main act (another Irving offshoot is Sea Wolf).

The chorus, by the way, is nicely thought out too, and an apt counterpart to the extended verse: simply the words “say yes,” architected into the bouncy trumpet refrain of the introduction. For something this big-hearted and loose-limbed, “Say Yes” is a pretty tight composition. It will eventually appear on Afternoons’ debut CD, which is recorded but seems to lack, thus far, a release date. The band has been selling EPs at shows in L.A. but that’s about it so far. MP3 courtesy of Irving’s web site. Thanks to Filter for the tip.