This is a lovely, crisp bit of strummy, melancholy indie pop, and if it reminds you of Camera Obscura and/or Belle & Sebastian, well, all hail from Glasgow, where apparently this type of strummy, melancholy indie pop is a prevailing musical dialect. But I encourage listening above and beyond the similarities, and tossing aside genre generalizations because, as I have said time and again, it’s far less important for a song to sound different than for it to be good. “Stop This Now” is deliciously good—so good in fact that it is different, if maybe in more subtle ways than can be summarized via pre-established labels.
Everything happens quickly here. The pace is light-footed, the verse concise—one melodic line, repeated twice, each time ending on an unresolved note. We’re at the chorus by 0:25, and yet see how we’re still not at any resolution. The pace stays fleet but the melody itself slows down, with front woman Melanie Whittle now singing fewer words per bar. It’s this opening part of the chorus that just nails the song for me—that lilting, deceptively simple triplet of lines (“And I know/And you know/We both know”) displaying both rueful wit and anguished charm, unfolding across those lovely chords that keep not resolving until we get to the twelfth bar (0:42). And even then we don’t feel full closure until the guitars strum their way through to the sixteenth measure, as we tend to need eight eight or sixteen measures for our ears to feel settled. The second trip through the verse is fortified by some dandy guitar work, the chorus’s follow-up enhanced with a winsome countermelody. Pay attention, however, or the thing will pass you by—it’s all over by 2:18 (the song actually ends before the MP3 does).
Founded by Whittle, the Hermit Crabs have recorded one full-length album to date, 2007’s Saw You Dancing. “Stop This Now” is from the band’s third EP, entitled Time Relentless, which is out this month on Matinee Recordings. MP3 via Matinee.